Every 70s Movie
Friday, November 11, 2016

1980 Week: The American Success Company

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          Writer-director William Richert displayed tremendous promise with his first fiction feature, Winter Kills (1979), a ...
Thursday, November 10, 2016

1980 Week: The Tin Drum

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          Allegorical, profane, ridiculous, and surreal, The Tin Drum describes the bizarre life of a character who magically ...
1 comment:
Wednesday, November 9, 2016

1980 Week: Inside Moves

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          Although he’s best known for making such big-canvas escapist fare as Superman (1978) and Lethal Weapon (1987), Rich...
3 comments:
Tuesday, November 8, 2016

1980 Week: The Private Eyes

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For all their achievements in other contexts, Tim Conway and Don Knotts delivered consistently disappointing results in the fil...
3 comments:
Monday, November 7, 2016

1980 Week: Stardust Memories

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          Woody Allen’s myriad remarks over the years that Stardust Memories is not an autobiographical movie are at least sli...
2 comments:
Sunday, November 6, 2016

1980 Week: Gloria

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          Indie-cinema godhead John Cassavetes initially earned fame as an actor in mainstream films, and he spent most of his ...
3 comments:
Saturday, November 5, 2016

1980 Week: Willie & Phil

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          Given his well-known admiration for the work of Ingmar Bergman, filmmaker Woody Allen left himself open for easy crit...
Friday, November 4, 2016

1980 Week: Heart Beat

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          Given the endless fascination that people have for 1950s beatnik culture and especially for the work of Beat author J...
Thursday, November 3, 2016

1980 Week: Tribute

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          Calling a dramatic theater production a “well-made play” carries derogatory implications, not just because the “well-...
1 comment:
Wednesday, November 2, 2016

1980 Week: Gilda Live

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          The distaff cohort of the original Not Ready for Prime Time Players fared poorly in terms of translating their succes...
Tuesday, November 1, 2016

1980 Week: Divine Madness

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          Bette Midler’s incredible rise to national prominence lost momentum after the release of this concert film, which fai...
2 comments:
Monday, October 31, 2016

1980 Week: The Fog

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          Note: Settle in and enjoy a double-dose of 1980 titles for the next two weeks, beginning with a modern-classic horror...
4 comments:
Sunday, October 30, 2016

The Giant Spider Invasion (1975)

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A fair argument could be made that applying critical standards of any sort to a picture called The Giant Spider Invasion is po...
1 comment:
Saturday, October 29, 2016

Love & Anarchy (1973)

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          Like her mentor Federico Fellini, Italian director Lina Wertmüller generally avoids understatement. Althou...
Friday, October 28, 2016

Raggedy Ann & Andy: A Musical Adventure (1977)

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The product of a weirdly fraught production cycle, with creative differences leading to firings and recriminations, ...
1 comment:
Thursday, October 27, 2016

The Mountain of the Cannibal God (1978)

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          Abandon all hope, ye who enter here. Exploitive, grotesque, profane, and racist, The Mountain of the Cannibal God is...
Wednesday, October 26, 2016

The Hollywood Strangler Meets the Skid Row Slasher (1979)

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There’s a germ of an interesting idea within this no-budget exploitation flick, that being the notion of what might happen if t...
Tuesday, October 25, 2016

No Way Back (1976)

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          Graded on one very specific curve, this blaxploitation joint earns a passing grade, but just barely. The curve in que...
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By Peter Hanson
Writer-director of "Tales from the Script," author of three cinema books, filmmaker. www.GrandRiverFilms.com
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