Quite
possibly John Wayne’s least distinguished ’70s Western, The Train Robbers
is so enervated that easily one-quarter of the film’s brisk running time is
consumed by aimless montages of posses riding across rough terrain. These
sequences of horses and riders plodding across deserts or pounding through
rivers are pleasant enough, with composer Dominic Frontiere’s lively music
complementing lyrical imagery, but after a while it becomes apparent that writer-director
Burt Kennedy failed to generate enough plot to sustain a feature film. The
overall narrative of the picture is okay, a standard-issue quest involving
rough men hired by a lady to recover stolen gold, and there are enough flashes
of action and character interplay to more or less justify the movie’s
existence. Yet it’s a measure of The Train Robbers’ shortcomings that
the closest thing the picture has to a villain is poor Ricardo Montalban, who
shows up every 20 minutes or so to glower at Wayne’s gang from a distance, puff
on a cigar, and stand still while the image dissolves to another scene;
Montalban doesn’t even speak until the very end of the movie. Equally
malnourished is the flick’s love-story component, and not just because the gigantic,
aging Wayne looks ridiculous when sharing the frame with tiny, young
Ann-Margret. The flirtation between the leads comprises the Duke admiring Ann-Margret’s
figure and spitfire personality (which is discussed but never really
demonstrated) and Ann-Margret, in turn, batting her eyelashes during
cringe-inducing interludes such as an unconvincing drunk scene. But, as with so
many latter-day Wayne movies, The Train Robbers is really about
mythologizing the Wayne persona.
In one laughable moment, ornery sidekick Calhoun (Christopher George) is asked
what’s wrong with Wayne’s character: Calhoun’s response, delivered with vaguely
homoerotic glee? “Not a damn thing!” Alas, such a kind appraisal cannot be made
of The Train Robbers, which, it should be noted, never actually
features a train robbery. Even the presence of reliable cowboy-movie player
Ben Johnson in a supporting role isn’t sufficient to make this one memorable.
The Train Robbers: FUNKY
Thanks Peter, another one that I never heard of. Looks nice enough by the poster but after reading your review, I think I'd be "walking thru hell" if I ordered it, ha ha. Thanks again:-)
ReplyDeleteWayne's '70's westerns (apart from the excellent 'The Cowboys') are an odd watch, as they tried to emulate the look of European westerns (the opening sequence here. for instance), which Wayne despised btw, while still keeping things in the Duke's wheelhouse.
ReplyDeleteI guess I'm a minority when it comes to this film, I thoroughly enjoyed it,especially the twist ending. Other than Cahill US Marshall ,which I thought was kind of bland,I enjoyed the Duke's 70's western films.
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