Perhaps because the history of screen comedy is
filled with hyphenates, from Charlie Chaplin to Jerry Lewis to Ben Stiller,
myriad successful comic actors have felt compelled to attempt writing,
producing, and/or directing. The results of these experiments are often grisly.
For instance, funnyman John Astin (of The
Addams Family fame) more than exceeded the limits of his artistry by co-directing,
with Alexander Grasshoff, this harmless but poorly made and profoundly unfunny
flick about a fed-up factory worker who quits his job to become an independent
cab driver. Made on a meager budget and saddled with a no-name supporting cast,
the picture gets off to a wobbly start and never recovers. The opening scene
introduces Astin, who is not Latino, as Pepper, a Mexican-American patriarch living
in San Diego. Before the audience is given any explanation of the character,
Pepper walks off the assembly line and buys a car, which he paints with taxi
markings, and then starts looking for fares. A good 20 minutes of screen time elapse
before Pepper’s brother-in-law, an attorney named Jaimie (Ralph James),
explains that Pepper needs a hack license and insurance to operate legally. How
are viewers supposed to root for a character who is so oblivious and reckless,
especially since he’s the breadwinner for a family that includes a wife and
five children? Had any of the scenes featuring Pepper’s cab-driving
misadventures been amusing, the story flaws might have been easier to overlook.
Unfortunately, each such scene is less imaginative than the preceding—Pepper
gets lost driving to an airport, the cab suffers engine failure, a mystery lady
uses the cab for some unknown crime that might be prostitution or smuggling.
(The editing is so choppy that significant facts get lost in the shuffle.) Although
Astin has a few charming moments, mostly when he’s making caustic asides about
misfortune, the overall flow of the movie is so drab, erratic, and repetitive
that mining for gold in the lead performance becomes a chore.
Wacky
Taxi: LAME
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