A sad relic of the Oh, Calcutta! era—during which
boundary-pushing sex comedies gained a patina of credibility by exploiting the counterculture’s
principles of permissiveness and provocation—Is There Sex After Death? feels virtually inert when experienced
with modern sensibilities. Originally released with an X rating because of copious
nudity and sexual content (which stops just short of penetration), the
faux documentary comprises a number of sketches involving sex researchers who
use an institute and a “Sexmobile” to explore the carnal habits of everyday
people. Every so often, this premise triggers a mildly witty sequence
juxtaposing intelligent commentary with ribald imagery. Mostly, however, the
picture presents endless scenes of naked people dancing, humping, posing,
swimming, and so on. Revealing the movie’s exploitive soul, the longest
sequence involves newsreel-type footage of participants in a nudist colony. Does
anyone really believe that lengthy shots of sexy female nudists gyrating and
sunbathing have educational value vis-à-vis the nudist ideal of shedding
societal inhibitions? Although codirectors Alan and Jeanne Abel deserve some credit for being equal-opportunity sensationalists, since both
male and female bodies are on display throughout Is There Sex After Death?, the filmmakers fail in their primary
endeavor of generating laughs. Still, the handful of scenes featuring famed
actor/writer Buck Henry are almost
amusing simply because of Henry’s impeccable deadpan timing. (The best bit is a
sequence of Henry trying to keep it together while describing the breasts of a
voluptuous woman who is undressing next to him.) But is there anything genuinely edifying or even erotic
in Is There Sex After Death? Not
unless the following dialogue, spoken by Henry, is your idea of adults-only
hilarity: “Once in Ireland I examined a woman whose vagina was so large I had
to take an aerial photograph.”
Is There Sex After Death?: SQUARE
On the subject of sportscasters narrating sex, I'm struck by the poster mentioning the Woody Allen movie "Bananas," also from 1971. That movie begins with Howard Cosell providing live coverage of an assassination on behalf of the Wide World of Sports, but it also ends with Cosell also narrating the consummation of the Woody Allen character's marriage, complete with interviews after the "action." So perhaps Allen came first -- so to speak.
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