Representing not only a
feeble attempt at absurdist humor but also a disastrous moment in the careers
of two Hollywood luminaries, Get to Know
Your Rabbit is such a misfire that it spent two years on the shelf at
Warner Bros. before the studio finally arranged a half-hearted release. The
picture was Brian De Palma’s first studio assignment, and his involvement ended
when he was fired during principal photography. Similarly, the movie was TV
funnyman Tom Smothers’ first and last starring role in a major movie. Written
by Jordan Crittenden, Get to Know Your
Rabbit tries for outlandish satire about the dehumanizing aspects of
corporate culture. Marketing executive Donald (Smothers) quits his job the day
terrorists explode a bomb at his office—a random event that neither makes sense
nor adds anything to the story. Seeking a more fulfilling lifestyle, Donald
studies with the eccentric Delasandro (Orson Welles) and becomes a tap-dancing
magician. Then Donald goes on tour, enlisting his former boss, an alcoholic
named Paul (John Astin), to serve as his manager. While Donald performs in seedy
nightclubs across America and romances a young woman identified only as
Terrific-Looking Girl (Katharine Ross), Paul creates a corporate empire called
TDM—as in Tap Dancing Musicians.
Yes, the supposedly high-larious central joke
of the movie is that so many people hate their jobs, just like Donald did, that
thousands of them happily quit the 9-to-5 world in order to become kitschy
entertainers. The tone of the movie is as much of a mess as the story.
Characters who should seem eccentric instead come across as insane, jokes fall
flat in nearly every scene, and the hyperactive music score tries to pump life
into unresponsive footage. As for the would-be wacky dialogue? Consider this
exchange between Donald and a floozy named Susan (Samantha Jones). Donald: “I
don’t know exactly how to ask you this, but how long have you been a cheap
broad?” Susan: “Oh, it’s an off and on thing.” De Palma’s signature overhead
shots, split-screen gimmicks, and topless scenes merely add to the overall
confusion, and Smothers’ performance runs the short gamut from nasty to nonexistent.
Meanwhile, costars Astin, Allen Garfield, and Ross play their roles well,
though each seems to exist in a different movie than the rest of the cast. Some
cinematic train wrecks are fascinating, but Get
to Know Your Rabbit is not one of them.
Get to Know Your Rabbit: LAME
I've watched it several times and I always seem to hope that it will be better than the last time. Sadly, it never is.
ReplyDeleteBrian DePalma and comedy. Not a good match.
ReplyDeleteCaught up with this and enjoyed the first half more than I was expecting (liked the penthouse overhead shot, the split screen reveal and the 20 or so minutes of Susanne Zenor). Bit and pieces work on a nostalgic level but the thing really nose-dives when Katharine Ross enters--the role was way beneath her.
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