Even though it’s not
particularly entertaining or memorable, the violent thriller Shatter ticks a few interesting boxes in
terms of film-history trivia. The only action movie released by UK’s Hammer
Film Productions in the ’70s, Shatter
was the second of two projects that Hammer coproduced with Hong Kong’s Shaw
Brothers Productions, the reigning champions of martial-arts cinema during that
era. The other Hammer/Shaw picture was the very strange Dracula flick The Legend of the 7 Golden Vampires,
which mixes bloodsuckers and martial artists to bewildering effect. Somewhat similarly,
Shatter is a straightforward
pursuit/revenge story that simply happens to include lots of martial-arts
scenes because the narrative unfolds primarily in Hong Kong. Additionally, Shatter was the final Hammer project to
feature the great Peter Cushing, a staple in the company’s monster and sci-fi
offerings since the 1950s. A final bit of trivia worth mentioning is that Shatter was the last film directed by
Michael Carreras, a second-generation Hammer executive who occasionally helmed
films for the company. Carreras took over production of Shatter after the project’s original director, American low-budget
filmmaker Monte Hellman, was fired.
Given this rich context, it would be
pleasurable to report that Shatter is
a zippy shot of escapism. Alas, it’s forgettable and turgid, with anemic
performances and interchangeable supporting characters. A grumpy and
tired-looking Stuart Whitman stars as Shatter, an assassin hired by mysterious
entities to kill an African dictator. This first event is presented with a
certain amount of kicky style, because Shatter uses a gun disguised as a
camera. Traveling from Africa to Hong Kong in order to collect payment, Shatter
soon learns that he’s been double-crossed by international power broker Hans
Leber (Anton Diffring). Shatter also gets into a hassle with UK government
operative Paul Rattwood (Cushing). Hiding in dingy hotels and scouring
nightclubs for clues about the conspiracy in which he’s become entwined,
Shatter eventually joins forces with martial artist Tai Pah (Ti Lung), which
occasions scenes in which Shatter throws punches while Tai throws kicks.
Innumerable other movies explore similar material more effectively, such as the
Joe Don Baker romp Golden Needles and
the Robert Mitchum thriller The Yakuza
(both released, like Shatter, in 1974).
Therefore, Shatter represents a weak
attempt at entering the post-Enter the
Dragon chop-socky sweepstakes—as well as an odd and disappointing chapter
in the Hammer saga.
Shatter:
FUNKY
However, it does perhaps feature the single greatest 'double dummy fall through window' death in cinematic history. Makes it Groovy by default for me.
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