This milquetoast religious drama credits Jesus
with the redemption of lawyer-turned-Nixon-advisor Charles Colson, who was
convicted and imprisoned for his role in the Watergate cover-up. Based on
Colson’s book, the movie takes its title from Colson’s conversion to
fundamental Christianity in the period between his departure from the White
House and his entrance into a federal work farm. Viewers are asked to believe
that the Charles Colson who naïvely followed Nixon’s orders was a different man
from the Charles Colson who bravely accepted responsibility for crimes against
the U.S. Constitution. And if this sounds like an awfully convenient
explanation, then, well, who ever knows the truth of what happens inside
another man’s soul?
Written and shot in the perfunctory
style of an assembly-line TV movie, Born
Again stars Dean Jones—best known for a string of silly Walt Disney
comedies—as Colson. His performance is adequate at best, because whenever Jones
peels off his glasses to cradle his face in his hands and weep, he seems more
robotic than sincere. Like Jones’ performance, the script by Walter Bloch
depicts Colson’s conversion without actually making a case for why viewers should
believe what they’re seeing. During the heat of the Watergate investigation,
Colson’s rich friend Tom Phillips (Dana Andrews) explains that he was born
again after realizing that wealth is an empty reward. This encounter flicks a switch in
Colson’s mind. Overnight, he begins spouting Bible passages. He also builds
bridges with onetime political enemies who share his love for Jesus. By the
time Colson is an inmate, leading Bible-study lessons and wooing African-American criminal
Jimmy Newsom (Ramond St. Jacques) to the bosom of the lord, the whole movie
feels a bit silly, especially since scene after scene is underscored with
saccharine music.
Yet the most egregious shortcoming of Born Again might be the way the
filmmakers lay all the blame for Colson’s problems solely on Nixon. After all,
wasn’t the lesson of Watergate that we need to beware political conspiracies,
not just overzealous individuals? And doesn’t the suggestion that Nixon was
some earthly agent of the devil absolve people like Colson of personal
responsibility? With all due respect to the faithful people who made this movie—which
was coproduced by an entity called Prison Fellowship Ministries—briskly discarding
issues of ambition, complicity, greed, moral relativism, and willful ignorance seems both rhetorically and socially dubious.
Born
Again: LAME
Lame is a good summary for this one. That the movie is poorly acted and cheaper than dirt is bad enough (I was shocked that this, evidently, wasn't a made-for-TV flick), the whitewash of Colson infuriating. The guy who said he'd run over his own grandmother to get Nixon reelected wasn't some naïve bureaucrat.
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