Easily one of the dullest
creature features ever made, the awful Floridian indie Zaat concerns a mad scientist who contrives a formula that
transforms him into a giant walking catfish, even as he unleashes a plague of actual walking catfish onto unsuspecting
residents of the Sunshine State. Not giant
walking catfish, mind you, just normal-sized critters that skitter across the
ground during the brief intervals when they can survive outside of water. As for
the man-monster, he’s not very threatening, either. Picture a facsimile of the
Gill-Man costume from The Creature from
the Black Lagoon (1955) made with papier-mâché by five-year-olds, and you
get a sense of how realistic the aquatic atrocity in this picture looks.
Produced, cowritten, and codirected by Don Barton, who wisely never made another
movie, Zaat begins drably. While
mad-doctor voiceover explains a plan to gain revenge on skeptics through the
transformation of man into fish, Barton presents stock footage of fish in
captivity. Then, once slovenly everyman Dr. Kurt Leopold (Marshall Grauer)
appears onscreen to tinker with knobs and levers in a hidden laboratory, the
dreary voiceover continues all the way through to the transformation scene,
which is abrupt and flat: Kurt straps himself into a stretcher, lowers the
stretcher into a vat of electrified water, and steps out in the fish suit,
after which he walks over to his paper-covered wall and makes notes. The movie
doesn’t even feature synchronized dialogue until about 20 minutes into the
painfully overlong 100-minute running time. Scenes of the monster attacking
people are tedious, especially since actor Wade Popwell can barely move while
wearing the creature suit, and the peripheral scenes of folks living their
lives unaware of the monster in their midst are beyond vapid. Unsurprisingly, Zaat’s best claim to fame is that it was
ridiculed on a 1999 episode of Mystery
Science Theater 3000. Oh, and if you care—which you don’t—the title Zaat refers to the formula the mad
scientist uses to transform himself.
Zaat:
SQUARE
Saw this for the first time today, and once again (as with Blackenstein, which I watched last night) a great opening theme song mismatched with its film counterpart. I kind of wish the movie had retained its voice over narration the whole way through--this film could have truly been the Travis Bickle story of catfish.
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