Allegedly based upon real
events, this low-rent thriller is part of a cinematic continuum, spanning Play Misty for Me (1971) to Fatal Attraction (1987) and beyond, about
the consequences of extramarital affairs with psychotic women. In Death Game, Bay Area businessman George
(Seymour Cassel) is home alone one night while his wife and children are away,
and answers the doorbell to find two attractive hippie chicks, Agatha (Sondra
Locke) and Donna (Colleen Camp), looking helpless and lost. They claim they mistook
George’s house for one with a similar address where a party is happening, so he
lets the girls inside to use his phone. After some small talk that’s laden with
sexual tension, the ladies strip naked and invite George into a threesome. He
pays dearly for his dalliance, because the next morning, the girls commence
destroying his property and threatening to charge with him rape. Agatha and
Donna eventually bludgeon George and bind him. Later still, the odyssey
descends into madness and murder. Death
Game (sometimes known as The Seducers)
could have been a salacious little thriller, but postproduction tinkering
diminished whatever virtues director Peter S. Trayor’s raw footage possessed.
The film is padded with irritating musical passages, including a
headache-inducing opening-credits sequence set to a cloying song about daddy
issues, and the nadir of the picture is a long interlude during which music
plays over a shot of an overturned ketchup bottle. Seriously. Furthermore, all
of Cassel’s dialogue was dubbed by another actor, which exacerbates the flick’s
disjointed quality. Worse, the many long scenes of Agatha and Donna rampaging
through George’s house are repetitive and shrill. The girls cry, dance, freak
out, scream, and smash things, giving the impression that Camp and Locke were
encouraged to improvise without much guidance. There’s a certain innate
suspense to the premise, and the threesome scene is hot in a sleazy sort of
way. Nonetheless, Death Game is choppy,
meandering, and unpleasant, wrapping up with a pointless final scene that seems
like a parody of ’70s-cinema bummer endings.
Death Game:
LAME
Eli Roth just remade/ripped this off as "Knock Knock", with Keanu Reeves, chocolate birthday cake, and a couple of forgettable starlets:
ReplyDeletehttps://youtu.be/3yEixcQrABU
Indeed. Having read the description, I was about to ask if this was the Keanu Reeves thing. Eli Roth, eh? How is he still working?
ReplyDeleteYou say remade/ripped off - is there any acknowledgement of the original?
Poor George missed the opening(or an early episode of) Saturday Night Live.
ReplyDelete