Monday, March 14, 2016

The Black Gestapo (1975)



          Unfortunately, this violent blaxploitation saga does not deliver the sharp analogy to Nazi Germany promised by its title and poster, because the paramilitary group at the center of the story is never shown flexing political power. More specifically, the filmmakers provide so little context for group’s activities that it’s difficult to determine whether the group even has power. In the weirdly insular world of The Black Gestapo, uniformed gangs move freely throughout L.A. while carrying automatic weapons, organizing rallies, and roughing up victims. No explanation is given for how the titular paramilitary group came into being, so most viewers will spend the first third of the picture just trying to figure out what the hell is happening. Then, once the movie reaches a tedious middle stretch pitting the group against the Mafia, things get even more confusing—and even more gruesome. During Mafia scenes, The Black Gestapo degrades to rape and a harrowing vignette in which the film's villain castrates an enemy with a straight razor. Suffice to say the film’s political perspective—if it even has one—is as messy as the crime scene following the castration. Actually, one could take the analogy even further by saying The Black Gestapo has no balls, since the movie ultimately becomes a simplistic revenge flick about a deposed leader seeking payback against a former subordinate.
          The gist is that General Ahmed (Rod Perry) founded something called the People’s Army for unknown reasons, presumably to do with empowering oppressed African-Americans. Soldiers in the all-black People’s Army wear khaki uniforms and red berets while functioning as vigilante do-gooders. Ahmed’s second-in-command, Colonel Kojah (Charlie Robinson), determines that more must be done, so he employs violence to intimidate enemies. Hewing to the old absolute-power-corrupts-absolutely line, Colonel Kojah transforms his squad into stormtroopers, switching to SS-style uniforms and seizing power from Ahmed. All of this trudges along somewhat incoherently until the film's final act, during which Ahmed stages a one-man assault on Kojah’s compound. This last bit, which comprises about 25 minutes of screen time, is fairly exciting in a Charles Bronson sort of way; Ahmed uses fancy weapons, martial arts, and trickery to literally defeat an army before confronting Kojah in a hand-to-hand brawl. Although The Black Gestapo is clumsily filmed, with cheap production values and way too many quasi-fisheye shots, the movie provides a decent dose of brainless violence once the filmmakers cease their futile attempts at storytelling.

The Black Gestapo: FUNKY

3 comments:

  1. My mind is blown -- Mac from the wacky TV show Night Court as Colonel Kojah.

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  2. At the time, Rod Perry was best known for being on "S.W.A.T." I think he also had a cameo in the movie.

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  3. Honestly, this movie---if you can call it that---was nothing but absolute grade Z garbage---just straight-up exploitation to the max. The whole premise of a "black gestapo" is complete BS, especially since the Nazis have always been racist against black people, and really makes no damn sense, when you really think about it. And, yeah, it was a trip to see Charles Robinson a decade before he appeared in Night Court--I couldn't figure out why he was in this absolute piece of s***, because that's all it is. Nobody in it can act worth a damn, it's not even that interesting, and the scene where two racist white dudes keep walking behind a black woman and insult her in a nasty and sexist way the entire time without her saying anything is complete BS. I would have thrown the DVD of this out, except that there were other films I liked on it. That's how much I hated this flick, because it's that damn bad.,

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