If good intentions were reason enough to praise a
film, The Bus Is Coming would be considered
a noteworthy artifact of the blaxploitation era. A feel-good riff on the Black
Panther Party, this picture envisions an alternate reality in which a violent
uprising by oppressed African-Americans leads to positive social change once
the white power structure learns the error of its ways. As if. Clumsily written,
weakly acted, and laden with a silly central metaphor, The Bus Is Coming simply doesn’t work as a film experience, which
is a shame. While similar films from the same era tended toward apocalyptic
vibes, notably Sweet Sweetback’s
Baadasssss Song (1971) and The Spook
Who Sat by the Door (1973), there was room in the conversation for a Black
Power film blending optimism with radicalism. Anyway, the story begins with
soldier Billy Mitchell (Mike Simms) returning from Vietnam to Los Angeles so he
can attend the funeral of his brother, Joe, a community organizer who was
killed during an altercation with police officers. Black Panther-type activists
who worked with Joe believe he was deliberately murdered, so they begin arming
themselves for a revolution. Hesitant to accept a conspiracy theory without
corroboration, Mike investigates the situation and discovers that the racist
cops who killed Joe are outliers within an otherwise socially responsible law-enforcement
organization. In a weak attempt at irony, the filmmakers also demonstrate that
one of the racist cops has a black female lover—because, see, he’s fucking the
African-American community in more ways than one. Set to an oppressive,
horn-driven jazz score, The Bus Is Coming
lumbers from one terribly acted scene to the next, never building a head of
narrative steam. As for the aforementioned central metaphor, two characters
literally wait for a bus, which represents social change. Heavy, man. All in
all, The Bus Is Coming is the most
frustrating sort of bad movie, a well-meaning effort hobbled by wall-to-wall
amateurism.
The
Bus Is Coming: LAME
I completely disagree----this was a pretty good, well-acted film----only a couple of actors sucked. This was an indie film directed by a black director and produced by a black producer. It deals with a lot of social issues that were going on at the time, and in a very entertaining but thoughtful way. Really overlooked and underrated.
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