A rotten would-be farce
about Depression-era criminals, Bad
Charleston Charlie represents a failed attempt by actor Ross Hagen to
create a star vehicle. In addition to playing the leading role, he cowrote the
script (with Ivan Nagy, who directed) and produced the project. Set somewhere
in the American heartland, the picture begins with Charlie Jacobs (Hagen) and
his buddy Thad (Kelly Thordsen) quitting their jobs at a mine after one too
many humiliating demands for payoffs from a corrupt union boss. Declaring their
intent to become “important” people, they take inspiration from the exploits of
Al Capone and begin careers as gangsters. Eventually, Charlie and his rapidly
growing cadre of followers antagonize a corrupt local cop and the members of a
KKK cell, so they find themselves with enemies on both sides of the law. Prostitution
figures into the mix, as well, since Charlie makes most of his money peddling
female flesh. Despite antiauthoritarian themes and high-spirited action, Bad Charleston Charlie is a world apart
from the myriad similar films that Roger Corman produced in the ’60s and ’70s to
draft off the success of Warren Beatty’s Bonnie
and Clyde (1967). Even the worst of Corman’s gangster pictures has a
clearly defined narrative, but this flick just trundles from one pointless
episode to the next, striving for a lighthearted tone but missing the mark
because the characters are repugnant and the jokes aren’t funny. Not helping
matters is Nagy’s horrendous camerawork; although he later became a serviceable
hack making junk for TV and the straight-to-video market, he’s out of his depth
throughout this project, which was his directorial debut. On the plus side,
Hagen recruited a few decent actors to play supporting roles (watch for John
Carradine as a drunken reporter), and Hagen’s buddy-comedy shtick with Thordsen
almost works.
Bad Charleston Charlie: LAME
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