The last theatrical
feature made during the original heyday of animated projects based upon Charles
M. Shulz’s beloved Peanuts franchise,
Bon Voyage, Charlie Brown (and Don’t Come
Back!!) finds the franchise’s key creative team at low ebb. Schulz, who
wrote and produced the picture, fails to deliver either a memorable narrative
or strong jokes, and codirector Bill Melendez (a Peanuts veteran who shared helming chores on this project with Phil
Roman) fails to provide the imaginative visual flourishes that make the
deliberately crude artistic style of early Peanuts
cartoons so charming. In perhaps the most telling sign of creative fatigue, the
storytellers feature adult characters onscreen, complete with dialogue, breaking
the Peanuts spell of a universe
created by and for children. Even Snoopy makes a poor showing here. While the
forever-unlucky title character endures an eventful trip through Europe, his
brilliant dog, Snoopy, acts like a menace, causing traffic accidents and
dodging guard duty so he can slip off to a roadside bar for stiff drinks. (Snoopy
favors root beer, but the effect is the same.) Whereas previous Peanuts movies have solid stories with
bittersweet emotional payoffs, Bon
Voyage, Charlie Brown feels trivial. Charlie Brown, Linus, Marcy, and
Peppermint Patty venture to Europe as exchange students, taking Snoopy and his
avian sidekick, Woodstock, along for the ride. In France, Charlie Brown visits
a remote estate because he received a cryptic invitation, only to uncover a
mystery with connections to his family. Neither the investigation nor the
revelation it triggers is especially interesting. The movie also suffers for
the inclusion of a lot more slapstick violence than usual; while the gags are
gentle by normal standards, they seem harsh within the Peanuts sphere. After this disappointing film was released, Charlie
Brown and the gang returned to their comfort zone of periodic TV specials until
the release of a new, CGI-rendered feature, The
Peanuts Movie, in 2015.
Bon Voyage, Charlie Brown (and Don’t Come Back!!): LAME
Charlie Brown was getting too old for his part by this point. Good grief, he was bald!
ReplyDeleteWhile outside the purview of this blog, I would mention for the sake of completeness that the 1983 TV special What Have We Learned, Charlie Brown? is an epilogue to this film. It suffers from some of the same problems as the movie (Adults on screen and with dialogue? Good Grief!), but it seems to be held in higher regard, no doubt because of the obviously heartfelt intent to honor America's fallen troops. It garnered three Emmy nominations and won a Peabody Award the following year.
ReplyDeletePity poor Peppermint Patty here, for her personality change from lovably brash to obnoxious and delusional contributes to the dourness of the proceedings. She's so thoroughly rude, unpleasant and unfunny, one wonders why her travel mates don't ditch her someplace.
ReplyDeleteHer inclusion on the trip also begs the question as to how a student with a D-minus average (long established in the newspaper strip) is somehow eligible to join a program usually reserved for honor students. Could have been explained by a simple throwaway line by Marcie: "The faculty just wanted rid of her for a few months", but Schulz' lazy screenplay can't be bothered with such inconsistencies.
I wouldn't be too bothered by PP's delusional jealousy of Marcy & Pierre -- since we all know through many decades of accrued evidence: that the real romance there in the long-term, was entirely on the third side of the triangle!
ReplyDelete(Although lesbian psychologists would surely consider that the femme always addressing the butch as "Sir" might be considered a bit of a red flag as t'were!)
All in all, it was sort of charming, but constantly reminds one of that superb Simpsons episode where the siblings are mistreated at a French vinery ... And, yes, breaking the WAH-WAH-WAH-WAH-WAH-WAH tradition is shocking alright ... But I guess they figured that different rules could apply in the foreign milieu, so as to be able to convey exposition through the adult characters ...