If nothing else, this
inept blaxploitation flick has an accurate title: Leading lady Gwynn Barbee is
black and beautiful, while the movie around her is bad. The basic premise is
fine, because Barbee plays a hotshot attorney who uses her seemingly endless set
of skills to help clear a man’s name when he’s accused of murder. Myriad Pam
Grier films were made from narrative fabric of this sort. Yet Gwynn Barbee, for
all her loveliness, is no Grier, and Bad,
Black & Beautiful writer-director Bobby Davis is no Jack Hill, the dude
behind Coffy (1973) and Foxy Brown (1974). Davis’ shortcomings
manifest in a discombobulated script and sloppy direction, problems exacerbated
by a meager budget. For instance, when Eva (Barbee) hears a description of the
accused man’s experiences in Vietnam, Davis cuts to grainy stock footage of
generic soldiers in Southeast Asia, rather than a properly filmed narrative
flashback. Sometimes the film’s flaws result in accidental humor. At one point,
a thug working for the movie’s main villain approaches a drunk whom the villain
wants dead, shakes the drunk’s shoulders, and walks away, after which the drunk
has a seizure of some sort and dies. Say what? Although Bad, Black & Beautiful has the production values of a
first-year student film, Davis unwisely tried to emulate the big-canvas style
of better-financed blaxploitation flicks. Eva displays her skill as a pilot, a
racecar driver, a singer, and, of course, a trial attorney, but each of these
sequences looks cheaper than the preceding. Additionally, Davis’ seeming
aversion to creating transitions means that the movie regularly cuts to random
characters and events, with viewers left scratching their heads as to what X
scene has to do with Y scene. Good luck figuring out why Davis spends so much
time following a white reporter whose bedazzled denim ensemble makes him look
like he should be Stevie Nicks’ Rumours-era
coke dealer instead of an ink-stained wretch.
Bad, Black & Beautiful: SQUARE
He stabbed the wino, just like he did the girl in the bar. This movie is cover-your-eyes awful, which is why I love it. The bad guy drives up to the car wash in his Pinto to meet the hit men, who are practicing their karate moves.
ReplyDeleteWere was this movie filmed
ReplyDeleteDallas, TX
DeleteWatched this last week on TubiTV. BAD movies can be so GOOD.
ReplyDeleteLooks like it was shot with a cell-hone camera with a dirty lens on a foggy day. Gwen Barbnee, the lead, is stunningly beautiful but can't act her way out of a wet paper bag, a trait she shares with eh rest of the cast. I've seen third-grade Christmas pageants that were better written (and directed). Auteur Bobby Davis takes on the writing, producing and directing chors and fails miserably at each of them. The sound recording is so bad that sometimes you can't understand what the actors are saying; even worse, sometimes you can.
ReplyDeleteiT'S a very. very poor effort IN EERY RLESPLECT,, amateur city all the way, but for all its faults, Gwen Barbee almost makes it worth watching.
ALMOST.