Original
movies directed by Al Adamson are bad enough, but his hodgepodge flicks,
assembled from pieces of films for which Adamson bought the rights, are even
worse. Sci-fi/horror embarrassment Horror
of the Blood Monsters demonstrates why. To repurpose scenes from a
black-and-white Filipino movie about cavemen fighting supernatural monsters,
Adamson shot some new material and contrived an incoherent story about Earth
sending a space vessel to a distant planet as a means of combating
extraterrestrial vampires, or something like that. The picture opens with a
lame vampire attack shot in a soundstage, then transitions to ground-control
scenes featuring black curtains as backdrops, and eventually to spaceship
sequences with the production values (and performance quality) of a high school
musical. To mask the monochromatic nature of the Filipino footage, Adamson provides
dialogue about mysterious radiation that changes the color spectrum, and the
black-and-white stuff appears tinted green or red or whatever. The monsters in
the recycled scenes are ridiculous, flying bat-winged little people, real
lizards photographed in forced perspective, underwater crab creatures, and
vampires whose fangs look like pieces of chalk. Adamson’s new scenes aren’t any
better. John Carradine spews pointless exposition, a buxom blonde looks
confused while, thanks to iffy dubbing, another actress’ voice emanates from
her mouth, and so on. At one point, the technicians at ground control stop
supervising the emergency space mission so they can make out and play with a
color-spectrum gun, resulting in yet more tinted shots. Alternate titles for
this crapfest include Creatures of the
Prehistoric Planet, The Flesh
Creatures, and Vampire Men of the
Lost Planet.
Horror of the Blood Monsters: SQUARE
Aw man, I remember this mess. This is as desperate as they get.
ReplyDeleteOne of the joys of visiting this blog on a regular basis is seeing the movie posters, many of which I've never seen before. In this case, the poster is by comic book legend Neal Adams, a fact likely more shocking than anything that appears in the film. It's funny that the "bat demons" seem to have the same receding hairline as Batman villain Ra's al Ghul.
ReplyDeleteThat's why the poster looks so cool! All it lacks is a heroin addicted Speedy.
DeleteNeal's poster is definitely the only redeeming value of this flick. Speaking of the man who helped make Green Lantern meaningful (no small feat), while I can't decide whether Neal's finest moment as a movie-poster artist is "Grizzly" or "Westworld," it's shocking how many one-sheets for awful movies he did...
ReplyDeleteNeal Adams made his own film back in the early '80's, which I remember reading about in the late, lamented magazine "Cinefantastique"; I think it was called "Nannaz" or something similar to that.
ReplyDelete