Movies along the lines of Unidentified Flying Oddball underscore why
Walt Disney Productions was in need of fresh ideas just prior to the studio’s
first experiments with slightly more grown-up fare. A goofy riff on Mark
Twain’s classic novel A Connecticut
Yankee in King Arthur’s Court, the movie imagines a nerdy scientist flying a
spaceship back through time to Camelot, where he helps King Arthur repel an
attempted coup by the treacherous Sir Mordred. Not only had Disney already explored
Arthurian mythology with the animated feature The Sword in the Stone (1963), but everything about Unidentified Flying Oddball is
enervated. The characterizations are thin, the FX are rickety, the jokes are
tepid, and the performances fail to impress. Some very young viewers might find
the picture’s compendium of medieval settings, sci-fi concepts, and slapstick
comedy distracting, but most viewers with ages in the double digits will grow
restless quickly. Even though this movie ticks a few important boxes for
live-action children’s entertainment by presenting a brisk and eventful
storyline within a compact running time, nearly everything that happens
onscreen is contrived and dumb, and it’s plain that Disney allocated a B-level
budget for the production. One can literally see the strings on the protagonist
during a climactic flying scene, a sure sign no one felt compelled to put forth
their best efforts.
The jam-packed storyline begins with a U.S. Senator
refusing to finance an experimental NASA spaceship because flying the vessel
would take an astronaut into space for decades. Clean-cut scientist Tom Trimble
(Dennis Dugan) is tasked with creating a lifelike robot, so he produces Hermes
(also played by Dugan). Thanks to a ridiculous set of circumstances, both Tom
and Hermes are inside the vessel when it launches, so both find themselves in
medieval England. Evil sorcerer Merlin (Ron Moody) conspires with Mordred (Jim
Dale) to dethrone aging King Arthur (Kenneth Moore), but Tom and Hermes ally
themselves with local lass Alisande (Sheila White) and others to help the king
retain control over the Round Table. Typical of the movie’s gentle humor is the
way Alisande carries around a goose, mistakenly believing the fowl is actually
her father, transformed by one of Merlin’s spells. For the most part, Unidentified Flying Oddball is harmless,
a barrage of misunderstandings and physical comedy peppered with the occasional
clever gag. But, man, does this picture lack that beloved Disney magic. By the
time the action climaxes with Tom flying in a suit of armor while Hermes uses
the spaceship’s giant magnets as weapons, the picture shows the strain of
trying to create spectacle without spending big money. This film promises
Camelot and delivers Camelittle.
Unidentified Flying Oddball: FUNKY
It was probably still better received than Guy Ritchie's take on King Arthur.
ReplyDeleteThis actually was released in 1979 (August, to be exact). It was part of a double-feature, paired with "The Jungle Book" (1967).
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