Essentially a dunderheaded precursor to First Blood (1982), this silly action
picture falls midway through the cycle of ’70s and ’80s movies about
PTSD-addled Vietnam veterans, both in terms of chronological release and
quality. Written and directed by onetime stuntman Max Kleven, Ruckus
avoids the sleazy extremes of some PTSD flicks, because it doesn’t edge into
kinky sex stuff or linger on violence. Unfortunately, by taking the genteel
approach, Ruckus ends up seeming
cartoonish, a problem exacerbated by Kleven’s genuinely terrible screenplay.
Characters in Kleven’s world do things simply because they’re convenient for
the story, or because some similar character took a similar action
in another movie. Nothing here rings true. Kleven’s direction isn’t much better
than his writing, and he regularly slips into unintentional goofiness, as
during the spectacularly dumb dirt-bike scene (more on that later). In the
first-time filmmaker’s defense, he did not land top-shelf actors for the leading roles. He got Dirk Benedict and Linda Blair.
The story starts
the usual way, with a drifter ambling into a small town. Locals hassle
him simply because he’s different. The drifter is Kyle Hanson (Benedict), who
for reasons that are never explained has thick mud caked onto his face. While
eating lunch at a roadside stand, Kyle encounters Sam Bellows (Ben Johnson), a rich
guy whose son is an MIA soldier. This explains why Kyle finds a receptive
audience when, later, he breaks into Sam’s home and meets Sam’s voluptuous
daughter-in-law, Jenny (Blair). She helps Kyle hide from the locals who are
chasing him. Eventually, Ruckus becomes a weird survival
story because Kyle occupies a small island and uses guerilla tactics, martial
arts, and stolen explosives to rebel invaders.
None of this makes sense, but
Kleven bombards viewers with colorful images. At his worst, he loses his grip
on what should be a serious tone—witness the bizarre spectacle of Jenny and
Kyle doing coordinated dirt-bike jumps in slow-motion as if they’re Mr. and
Mrs. Evel Knievel. Benedict is quite bad, too big in unhinged scenes and too
small in quiet scenes, while Blair is blandly sweet and Johnson phones in a
non-performance. Only Richard Farnsworth, playing a seen-it-all sheriff, hits
the right notes. Incidentally, it’s fun to survey the film’s various posters, seeing as how this picture was marketed as everything from a
laugh-a-minute lark to an ultraviolent shoot-’em-up. Alternate titles include Big Ruckus in a Small Town, Eat My Smoke, The Loner, and Ruckus in
Madoc County.
Ruckus:
FUNKY
I saw this on a double-bill with The Jericho Mile (that TV movie got released theatrically outside North America). Which is an odd pairing if you think about it.
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