Of historical interest exclusively because it
contains Bette Midler’s first screen performance, The Thorn is a cheaply made and rather vulgar religious satire
created at a moment when the world was rotten with counterculture takes on
Biblical lore. In fact, one lame joke in The
Thorn involves the narrator explaining that characters are singing “Jesus
Christ Superstar” but the sound has been muted for legal reasons. Anyway, The Thorn comprises lots of quick-hit
sketches presented with period dress and modern settings, so the material would
have been more effective as a stage revue. On film, the nonexistent production
values, point-and-shoot cinematography, and undisciplined narrative feel
amateurish. Although some of the performances are enthusiastic and a handful of
jokes are mildly amusing, the sum effect is dull and episodic. In the movie’s
first act, Midler plays the Virgin Mary as a sexually curious young woman. A
rabbi mounts her, and when she refers to his phallus as “grace,” he moans,
“Hail Mary, full of grace.” You get the idea. Not every joke is raunchy, but
all are designed to take the piss out of organized religion and/or other
institutions. For instance, during a prologue God is played by a Harpo Marx
lookalike, and at the end of the prologue, he pops his head into an MGM-style logo
bearing the text “Metro-Golda-Meir.” Random gags of that sort permeate the
film, but not in the fun hellzapoppin manner of a Mel Brooks comedy—the vibe is
much more “Here’s some shit we thought was funny while he were toking.” The
very first thing onscreen in The Thorn
is a disclaimer warning those who are easily offended by jokes about the New
Testament to leave the theater. A more conscientious version of the disclaimer
would also have warned those who are annoyed by jokes that aren’t funny to
leave. FYI, once Midler achieved fame as a recording star, this picture was
reissued as The Divine Mr. J to play
off the title of her debut album, The
Divine Miss M (1972). Hopefully not many were snookered.
The
Thorn: LAME
So, its not a prequel to Midler's The Rose?
ReplyDeleteGood one. As Chris Hardwick would say, "Points!"
ReplyDeleteI actually own a 35mm trailer for the DIVINE MR. J reissue, where it plays up supposed legal attempts by Midler to suppress the film.
ReplyDelete