Yet another would-be
comedy cataloging the “difficulties” of being a successful white dude with a
stable marriage, I Love My Wife stars
Elliott Gould as Dr. Richard Burrows, a self-centered prick whose insatiable
lust masks a deep reservoir of self-loathing. There’s actually a respectable
character study buried inside the feeble jokes and wobbly attempts at sex
farce, so viewers sympathetic to Gould’s shaggy screen persona might be able to cherry-pick this overlong picture and imagine a better film comprising only
the most thoughtful scenes. However, doing so requires tolerance for watching
Richard cuckold his long-suffering wife; objectivity and deceive his adoring
mistress; and regularly ignore his two children, who didn’t ask to get born
into a dysfunctional family. Moreover, those who track down I Love My Wife hoping for sexy laughs
are bound to be disappointed—although the movie features a steady procession
of attractive women in erotic scenarios, the protagonist is an unbearable putz.
A prologue shows Richard becoming fascinated with sex during his childhood and,
later, losing his virginity to a hooker. Then he meets and marries Judy (Brenda
Vaccaro), but she falls from Richard’s favor the minute she reveals she’s not
that into oral sex. Worse, she gains weight after bearing his children—hence
pitiful scenes of Richard sleeping with a sexy nurse (JoAnna Cameron) and
complaining to her that his wife doesn’t understand him. After that dalliance
runs its course, Richard aggressively pursues a married model, Helene (Angel
Tompkins), who leaves her husband to be with Richard. But of course she’s not
enough for him, since no one ever will be. You begin to see how a serious
treatment of this material might have clicked, and in fact most of the actors
play the material so straight that I Love
My Wife feels like a drama much of the time. Alas, it seems writer Robert
Kaufman and director Mel Stuart were after hilarity, or at least satire. Viewed
from that perspective, the movie’s an utter failure.
I Love
My Wife: FUNKY
Ah...from those long-ago days when Gould and Dustin Hoffman were considered sex symbols. ;)
ReplyDeleteWas Hoffman ever considered a sex symbol?
ReplyDelete@greg363:
ReplyDeleteActually, yes. What's a hoot is looking back at the Rabbit Mag's yearly 'Sex Stars Of..' feature through the '70's. Many of the choices stagger the imagination.
Putting the media hype aside, I don't think there is a Hoffman performance that would exude sexuality from his on-screen character. "Little Big Man", "Papillion", "Lenny", "Marathon Man", "Kramer vs. Kramer", not even "The Graduate". It just might be one reason why his big screen career has endured over several decades while Gould's career faded by the late 70's.
ReplyDelete