More
of a generalized expression of counterculture angst than a properly formed
story, Parades takes several different
approaches to its antiwar theme. In fact, the picture divides somewhat neatly
into four episodes, but not by design—at regular intervals, the filmmakers seem
to forget what story they’re telling and latch onto the next shiny object that enters
view. First the movie is about a young deserter whose parents narc on him to
the government. Then the picture explores the deserter’s experiences in a
military prison, where a brutal sergeant subjects him to physical and
psychological torture. Next, after a tragedy that most viewers can see coming
way before it happens, the movie shifts into ensemble mode as prisoners process
terrible events. Finally the movie resolves into a far-fetched melodrama, with
a civilian protest outside the prison inspiring nonviolent activism behind bars,
which in turn causes yet more bloodshed.
It’s not hard to imagine a version of the
same basic narrative achieving the desired effect, but getting there would have
required more discipline than the makers of Parades
could muster. Yet it’s wrong to dismiss Parades
as a complete misfire. The film’s politics are consistent, and some of the
young actors playing convicts attack their roles with vigor. One gets a sense
of the folks behind this picture committing wholeheartedly to what they
perceived as an important statement, and, to be fair, this endeavor was not
completely without risk. Even though the youth audience circa 1972 was heavily
behind the protest movement, many in the Establishment viewed those questioning
the war as traitors. For those looking to make a splash in movies, there were
less controversial subjects to explore.
In any event, Parades has a few points of interest beyond its plot. Future TV
stars David Doyle and Erik Estrada play small roles, and Barry Manilow did the
theme song. (Yes, you read that right.) Incidentally, it appears that director
Robert J. Siegel did major surgery on the picture after its original release,
because reports indicate that the presently available version, released in 1980
as The Line, contains extensive new
footage. Given how discombobulated the 1980 version is, however, it’s probably
for the best that the original cut has faded from view.
Parades: FUNKY
The title and year as well as the general theme immediately recall the brilliant film Tribes from 1970 starring Darren McGavin and Jan Michael Vincent. Just based on the title alone I have to wonder if the filmmakers of this were trying to emulate or evoke that film or at least make people associate the two. If that was their goal, clearly they didn't come close.
ReplyDeleteBig fan of Tribes. One of the best TV movies of the 70s, which, like Duel, also received some theatrical exhibition. Definitely thought of that one while watching Parades.
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