The
second and final picture directed by J.G. Patterson Jr., who died before this
film hit theaters, drama/thriller hybrid The
Electric Chair is a weird viewing experience, but not in a good way. Built
around the sensationalistic promise of scenes filmed inside a real prison’s
death row, The Electric Chair devotes
about a quarter of its screen time to horror elements including violent crimes
and, as the title suggests, a lengthy execution scene. The horror material comprises
grimy scenes of pain and suffering accompanied by grating electronic noises
that pose as a musical score. Yet what makes The
Electric Chair truly strange is everything else in the movie. Patterson
tracks the confusing story of a dual murder, a criminal investigation that
results in a false arrest, and finally a melodramatic court trial that
unexpectedly reveals the identity of the real killer. These scenes are mesmerizingly bad not only because of Patterson’s clumsy camerawork and stilted
writing, but also because of his propensity for casting amateurs (or
incompetent professionals) in prominent roles. Actors in The Electric Chair often seem as if they’re reading off cue cards,
parroting lines they were fed just before the camera rolled, or improvising
based upon insufficient guidance about what to say. The confident actors look
foolish and the nervous actors look embarrassed. Some might enjoy laughing at these bits, but the wise viewer avoids The Electric Chair entirely, since watching the picture is like enduring an evening of deranged community theater.
The Electric Chair: LAME
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