Network appetites for TV movies in the ’70s were so insatiable that lots of recycled material hit the airwaves, hence this low-budget retread of the 1962 theatrical feature Cape Fear—which was more elaborately remade as a 1991 Scorsese/De Niro thriller. Starring Lloyd Bridges, The Force of Evil adds a vaguely supernatural element to the Cape Fear mix because the telefilm’s villain inexplicably survives multiple fatal attacks. Fans of slasher films might find this element moderately interesting since The Force of Evil predates such “unkillable killer” flicks as the following year’s Halloween, though the gore factor is zero and the intensity never rises above a simmer. It should also be noted that writer Robert Malcolm Young and director Richard Lang both enjoyed long careers generating hours upon hours of disposable television. In other words, expectations should be set appropriately low—but if your taste is such that the basic components of The Force of Evil capture your imagination, then you might find it diverting.
Originally broadcast as a double-length episode of short-lived anthology series Tales of the Unexpected, this piece borrows the Cape Fear premise of a paroled criminal menacing the fellow whose testimony sent him to jail. (Neither the screenwriter of the 1962 movie nor the author of that film’s source novel is credited.) Specifically, in the bleak landscape of a California desert community, grinning psychopath Teddy Jakes (William Watson) terrorizes physician Yale Carrington (Bridges), who has a wife and two kids. At first, Yale feels confident about his ability to repel Teddy because Yale’s brother, Floyd (John Anderson), is the local sheriff. Alas, as in Cape Fear, the criminal studied law books in jail and therefore knows how far to push without incriminating himself. Nonetheless, things get fairly gruesome even before the first attempt on Teddy’s life—and then The Force of Evil kicks into gear by testing how violent Yale is willing to become in order to protect his family.
The juxtaposition of Bridges’ somewhat restrained performance and Watson’s menacing swarthiness generates decent tension, as do several Hitchcock-style suspense scenes. Yet the movie’s strongest mojo emanates from dramatic camera angles rendered by cinematographer Paul Lohmann, whose impressive CV include Nashville and Trilogy of Terror (both 1975). Using deep focus and low angles, Lohmann takes Dan Curtis-style claustrophobic framing to almost satirical extremes. Oh, and one last point of interest for fans of a certain age—playing Bridges’ daughter is Eve Plumb, appearing between her tenures as a member of the Brady Bunch.
Originally broadcast as a double-length episode of short-lived anthology series Tales of the Unexpected, this piece borrows the Cape Fear premise of a paroled criminal menacing the fellow whose testimony sent him to jail. (Neither the screenwriter of the 1962 movie nor the author of that film’s source novel is credited.) Specifically, in the bleak landscape of a California desert community, grinning psychopath Teddy Jakes (William Watson) terrorizes physician Yale Carrington (Bridges), who has a wife and two kids. At first, Yale feels confident about his ability to repel Teddy because Yale’s brother, Floyd (John Anderson), is the local sheriff. Alas, as in Cape Fear, the criminal studied law books in jail and therefore knows how far to push without incriminating himself. Nonetheless, things get fairly gruesome even before the first attempt on Teddy’s life—and then The Force of Evil kicks into gear by testing how violent Yale is willing to become in order to protect his family.
The juxtaposition of Bridges’ somewhat restrained performance and Watson’s menacing swarthiness generates decent tension, as do several Hitchcock-style suspense scenes. Yet the movie’s strongest mojo emanates from dramatic camera angles rendered by cinematographer Paul Lohmann, whose impressive CV include Nashville and Trilogy of Terror (both 1975). Using deep focus and low angles, Lohmann takes Dan Curtis-style claustrophobic framing to almost satirical extremes. Oh, and one last point of interest for fans of a certain age—playing Bridges’ daughter is Eve Plumb, appearing between her tenures as a member of the Brady Bunch.
The Force of Evil: FUNKY
Sounds a bit like Straw Dogs.
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