Not too many T&A-driven grindhouse flicks stem from legit theater, but  Pets  has exactly that pedigree. However, it’s useful ...

          Watching   The Daredevil , it’s tricky to parse whether the people involved with the project thought they were making a real movie...

          Some grungy movies are such prime fodder for cultural analysis that their actual cinematic merits (or lack thereof) are inconseque...

           Featuring a plot so thin it could barely power a sitcom episode, jokes so anemic they mostly elicit indifference, and a musical s...

           Amazingly, ten years after the release of   Easy Rider , indirect knockoffs of that seminal film were still getting made.   A Gre...

          Even though  The Horror at 37,000 Feet  is a terrible made-for-TV supernatural thriller distinguished by a dumb storyline, a motle...

Hey there, groovy people! I hope regular visitors to this blog have not tired of occasional posts celebrating readership milestones, but I’m...

           Delivering in a big way on both elements of its title,   Stunt Rock   is an Australian oddity depicting the adventures of an Auss...

           If it’s possible for a movie to be completely forgettable   and  deeply weird, then   The Loner s   is such a movie. On the surfa...

          Of minor interest because it contains the first real onscreen performance by Lance Henriksen, who subsequently became a cult-favor...

           Toward the end of its scant running time,   Hail   resolves into a serviceable satire of Nixon-era political paranoia. Getting th...

All the elements were in place for  The Little Ark  to become at least a passable bit of children’s entertainment (and in fact online commen...

          Of minor interest to Oscar completists because it scored an out-of-nowhere nomination for its original song “A Life That Never Was...

Although its storytelling is more coherent than the usual under-budgeted sludge made overseas by Americans of questionable ability,   Chines...

           Proving that ’70s Canadian producers were just as capable as anyone else of jamming multinational casts into mindless schlock,   ...

           Long on humanistic sociocultural messaging and short on cinematic polish,   Happy as the Grass Was Green —subsequently retitled  ...

          Hey there, groovy people! Even though daily posting on this blog has been in the rear-view mirror for some time, it ’ s wonderful ...

           Toward the end of his erratic three-decade film/TV career, Russian-born helmer Victor Stoloff got heavy into stories about group ...

          Again demonstrating their propensity for transforming facts into ridiculous fiction, the folks at Sunn Classic Pictures used the r...

Imagine if Rudy Ray Moore possessed the charisma of a DMV clerk and didn’t tell jokes—then you’ve got an idea of what to expect from   Solom...

           Enjoyably vapid French/Italian heist thriller   The Burglars   features a typically random assortment of international actors, th...

           An attempt at translating a classic fairy tale into a (somewhat) modern horror picture, the US/UK coproduction   Whoever Slew Aun...