To
avoid any confusion later, it must be stated up front that the TV movie Flatbed Annie & Sweetiepie: Lady
Truckers is exactly as awful as its title suggests, though not in the
expected way—instead of being lurid or sleazy, the picture is merely dull and
insipid. So why note its existence? Well, a number of notable people worked on
the project, and in the case of supporting actor Harry Dean Stanton, there’s a
minor connection between Flatbed Annie
and a famous project that came later. Plus, Flatbed
Annie features the one and only acting performance by Billy Carter
(pictured), U.S. President Jimmy Carter’s beer-swilling brother. Based on the
scant evidence of his one scene, Billy Carter did not miss his calling. To get
the synopsis out of the way, Sweetiepie (Kim Darby) is the wife of long-haul
trucker Jack (Fred Willard), who gets laid up after an accident and falls behind
on truck payments. Sweetiepie decides she needs to deliver a load in Jack’s rig
so she can earn money to keep the truck out of hock. In order to achieve this
goal, she enlists the aid of Flatbed Annie (Annie Potts), a tough-talking
driver. Meanwhile, conniving entrepreneur C.W. Douglas (Stanton) buys Jack’s
loan and then tries every angle he can to repossess Jack’s truck so he can sell
the rig for cash. That’s the Stanton connection, such as it is—the actor plays a repo man just a few years before portraying another character with the
same job in the cult favorite Repo Man
(1983). Stanton is the best thing in this terrible movie, whether he’s giving
deadpan line deliveries or, in one scene, singing. It’s also (somewhat)
interesting to note that Flatbed Annie
was directed by Robert Greenwald, whose other accomplishments in fiction films
range from the impressive (the 1984 TV movie The Burning Bed) to the mortifying (the 1980 musical flop Xanadu); today, Greenwald is known for
his low-budget liberal-fringe documentaries, such as Wal-Mart: The High Cost of Low Price (2005) and Koch Brothers Exposed (2012). As for the
leading actors, neither Darby nor Potts benefits from her encounter with this
material. Both are abysmal. Darby seems distracted and incompetent, while
Potts’ weird performance would only make sense if it were revealed that her
character was a drug casualty. Summing up, Flatbed Annie is to be avoided at all costs—except by the morbidly
curious.
Flatbed Annie & Sweetiepie:
Lady Truckers: LAME
I know this movie is by no means a masterpiece, but I have to admit I love it. It's in the same vein as Smokey and the Bandit, but a couple of women instead. It could have been beefed up, but then again, it's a 1970s TV movie. What can you do? They can't all be Duel. I had fun watching it!
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