While the most enduring
pop-culture artifact stemming from widespread mid-’70s paranoia about killer
bees is undoubtedly the recurring sketch on Saturday
Night Live depicting the striped insects as Mexican banditos, Hollywood
cranked out a few overheated horror pictures on the subject, as well.
Disaster-flick titan Irwin Allen was responsible for The Swarm (1978), a big-budget flop starring Michael Caine, and
Roger Croman’s low-budget factory New World Pictures was responsible for this
dud starring John Saxon. In fact, according to a book about New World, Warner
Bros. paid New World to delay the release of The Bees until after The
Swarm passed through theaters. In any event, The Bees is just as silly as the Allen production, only without the
redeeming values of a kitschy cast and a melodramatic narrative. The Bees opens in Brazil, where
crossbred bees attack their keepers at a ranch owned by an international
conglomerate. (The murky setup tries to involve both accidental and intentional
blending of insect species, resulting in a super-aggressive hybrid.) Soon after
the deadly incident in Brazil, a scientist named Sandra Miller (Angel Tompkins)
smuggles killer bees into New York, where she reports to John Norman (Saxon),
head of a company angling to get a monopoly on the world’s honey supply. Or
something. The plot is so stupid and turgid that parsing details isn’t worth
the effort, and even trying to watch the movie for the “exciting” scenes is
pointless. Once killer bees start rampaging across the United States, director
Alfredo Zacarías employs cheap animation to show massive swarms passing
landmarks, and he uses grainy stock footage to illustrate the military
response. Meanwhile, Saxon gives stilted line readings and John Carradine, in a
supporting role, speaks in some amateurish hodgepodge of European accents. The
whole pathetic enterprise concludes (spoiler alert!) with the protagonist
realizing the bees have learned to communicate, then addressing a general
assembly of the UN with this urgent message: “You have to listen to what the
bees have to say!” Sadly, just when the movie reaches campy terrain, it ends
instead of going full-bore into craziness.
The Bees:
LAME
1 comment:
This film is great. The best part is when a guy tumbles through a window with no glass in it, but they insert a glass breaking sound effect anyway.
Post a Comment