Generic family
entertainment from Walt Disney Productions at the nadir of the company’s
live-action cycle, Hot Lead & Cold
Feet is a farcical Western featuring the unremarkable British
comedian/singer Jim Dale in three roles. And while Disney’s concerted effort to
transform Dale into a U.S. star was admirable (he was featured in three of the
company’s movies from 1977 to 1979), Dale lacks the easy charisma of a genuine
box-office attraction, so a triple serving of Dale in Hot Lead & Cold Feet represents too much of a not-so-good
thing. In fact, even with his multiple roles, Dale is less interesting than
veteran actors Jack Elam, Don Knotts, and Darren McGavin, who play silly
supporting characters. The story begins with crusty old varmint Jasper Bloodshy
(Dale) announcing that he’s leaving his entire estate—which includes the
crime-riddled frontier town that bears his name—to his twin sons. After a
fashion, that is. One of the sons is Billy (Dale), a rootin’-tootin’ outlaw who
menaces the good (and not-so-good) townsfolk of Bloodshy. The other son is Eli
(Dale), a preacher-in-training raised by his mother in England. Billy’s the
“hot lead” of the title, and Eli’s the “cold feet.”
As a means of bringing his
sons together, Jasper stipulates that his boys must race each other through the
wilderness surrounding the town of Bloodshy, with the winner claiming the
family wealth. Billy tries to rig the contest, abetted by the town’s corrupt
mayor (McGavin), while Eli simply wants to provide for the pair of orphaned
children who are in his care. (Because it wouldn’t be a Disney flick without
orphans.) Knotts plays the town’s bumbling sheriff, the so-called “Denver Kid,”
and Elam plays his arch-enemy, a crook named “Rattlesnake.” The running gag of
these two men trying to stage a gun duel despite constant interruptions is
about as close to real humor as this movie gets. Most of the running time
comprises goofy Disney slapstick and overly exuberant racing scenes, with a
spoonful of saccharine thanks to Eli’s relationships with the kids and with a
pretty schoolteacher (Karen Valentine). There’s not a hint of originality or
wit anywhere in Hot Lead & Cold Feet,
but it’s a harmless enough distraction, with okay production values and energetic
acting. Even Dale, who isn’t up to the task of carrying a picture, deserves
credit for his hard work—he tries every trick imaginable to entertain viewers,
so it’s a shame he can’t conjure screen presence by force of will.
Hot Lead & Cold Feet: FUNKY
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