Fungus scraped off the bottom of the Sasquatch-cinema barrel, The Capture of Bigfoot is a no-budget dud in which the redneck denizens of a small, snow-shrouded town blame a string of murders on something called “The Legendary Creature of Arak,” a white-haired Bigfoot/Yeti/whatever rumored by Native Americans to haunt the mountains surrounding the town. During this interminable movie, scheming entrepreneurs attempt to capture the monster for purposes of financial exploitation, while police officers try to determine whether the killings are the work of man or beast. Badly acted, incompetently filmed, lazily edited, and padded with meandering bits like pointless party scenes and unfunny “comedy” vignettes, this is one of those grade-Z creature features that only contains about 10 minutes of actual monster action, so trudging through the flick’s entire 92-minute sprawl is a monotonous chore none but the masochistic should attempt. Toward the end of the picture, once “The Legendary Creature of Arak” is finally captured, he/it is revealed to be a neatly groomed giant with a smooth white coat, a pointy head, and a scowling orange face; closely resembling the ridiculous “Mugatu” alien from the original Star Trek series, this critter ain’t the most formidable of beasties. Plus, the monster turns out to be quasi-benevolent, which makes all the previous scenes depicting the creature as a savage killer seem nonsensical in retrospect. And so it goes for the rest of this abomination, which offers nothing in the way of amusement, entertainment, novelty, or thrills.
The Capture of Bigfoot: SQUARE