Lore emanating from
insular communities can be fascinating, because local legends are shot through
with metaphors reflecting ideals and superstition; the nature of fictional characters
elevated to heroic status is as revelatory as the nature of figures regarded as
monsters. All of which goes to say why the offbeat fantasy picture The Legend of Hillbilly John is
interesting even though it’s far from impressive as a piece of filmmaking.
Based on stories by Manly Wade Wellman, an imaginative fiction writer who spent
time in the Ozarks researching the folklore of mountain people, The Legend of Hillbilly John concerns a
traveling troubadour whose guitar has magically powered silver strings that
repel the devil. Moving from one rural enclave to the next,
the hero discovers residents living in fear of various oppressive forces, then
helps the residents escape tyranny by, in some fashion or another, robbing the
oppressive forces of their power. Taken to its most literal extreme, this mode
of supernatural crimefighting manifests as the hero battling a giant bird
that’s put onscreen by way of old-fashioned stop-motion animation. In other
words, the narrative spirit is willing but the cinematic flesh is weak.
The story’s hero, John (Hedges Capers), is an easygoing
singer whose Grandpappy John (Denver Pyle) loses a fiery musical
duel with the devil. Thereafter, John carries a magic guitar from one
Appalachian community to the next, accompanied by a dog he calls “Hunter Hound.”
In one very long sequence, John escorts a dangerous man called Zebulon Yandro
(Harris Yulin) to a meeting with Yandro’s ultimate fate. And in the most
dynamic sequence, John duels with “Ugly Bird” atop Hark Mountain. Somewhat
holding the pieces of the story together is Mr. Marduke (Severn Darden), a
host/narrator who lists among the enemies plaguing the Appalachian Mountains
the devil and the U.S. Army Corps of Engineers. (The insertion of a ’70s
ecological message is as pointless as it sounds.) Some have noted that a core
flaw in this weird picture is the way the filmmakers altered John’s personality
from the source material, transforming him from a backwoods avenger to a
peace-and-love hippie. Indeed, the less authentically rural a moment in this
movie is, the less entertainment it provides. Still, there’s something
inherently unique about The Legend of
Hillbilly John, though curious viewers should be advised to set their
expectations very, very low.
The Legend of Hillbilly John: FUNKY
2 comments:
I mentioned this film on my blog once and said that I had never seen it and a few days later, one of my readers sent me a copy. I hate to say it but I never did get around to watching it. Saw it on the shelf just the other day, though. I need to give it a shot.
This is a movie that exists in a hazy place... It's so very bad that it might drive people away from Manly Wade Wellman's stories, yet there is something fascinating about it as a wrong-headed attempt at adapting those stories.
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