Despite the absurdity of its premise, the
made-for-TV thriller Bad Ronald is
enjoyably creepy. According to the kooky logic of the film’s plot, it’s
possible for a family to purchase and move into a house without noticing that
someone’s living in a hidden alcove—because, apparently, the unseen squatter
generates neither sounds nor smells that arouse suspicion. Whatever. The name
of the game here is cheap thrills. In that regard, Bad Ronald achieves its goals well enough. Young Scott Jacoby, who
built a minor career in features and TV projects from the late ’60s to the
early ’90s, is suitably otherworldly as the title character, a mama’s boy in
the Norman Bates tradition, and versatile director Buzz Kulik infuses
ridiculous scenes with as much emotional reality as he can conjure. The actors
comprising the solid supporting cast, including Dabney Coleman, Lisa Eilbacher,
Kim Hunter, and Pippa Scott, hit their respective notes adequately, and, in a
counter-intuitive way, the sheer improbability of the project works in its
favor. Bad Ronald is so far-fetched
that after the viewer gets over the weirdness of early scenes, a generalized acceptance
for bullshit settles in, allowing the viewer to go along for the ride.
At the
beginning of the picture, middle-aged Elaine Wilby (Hunter) lives alone with
her bizarre teenaged son, Ronald (Jacoby). He accidentally kills someone and
runs home to Mom for help. She supervises the conversion of a pantry into a
hiding place, and then she stocks it with supplies. This ruse works for a
while, even though cops sniff around the house, suspecting Ronald of committing
the murder. Then Elaine dies, so her house goes on the market. Enter the Wood
family. They move in totally unaware of Ronald’s presence, even though he
sneaks out from his hiding place at night, eventually fixating on the Wood
family’s eldest daughter, Ellen (Eilbacher). And so it goes from there. To
their credit, everyone in the cast plays this outlandish material straight, and
several scenes tap into the universal fears of home invasion and voyeurism.
Additionally, the trope of Ronald building a fantasy world through drawings he
makes on the walls of his tiny room serve as a metaphor representing his
delusional state.
Bad
Ronald: FUNKY
