Adapted from a hit play
about a middle-aged lothario in swinging London who exploits the Sexual
Revolution by sleeping with every young woman who falls for his pickup lines, There’s a Girl in My Soup is a mildly
entertaining and mildly insightful sex farce that benefits from exceedingly
nimble leading actors. In fact, the movie’s appeal stems almost entirely from
the presence of British comedy icon Peter Sellers, who plays the lothario, and
American funny girl Goldie Hawn, who plays, well, the girl in his soup—because
the underlying material isn’t funny or purposeful enough to impress on its own
merits. When the story begins, TV personality Robert Danvers (Sellers) is
enjoying his fame immensely, seducing nearly every attractive woman he encounters.
One evening, however, he meets an ebullient American named Marion (Hawn), who
agrees to go home with Robert because she’s trying to get away from her
two-timing musician boyfriend, Jimmy (Nicky Henson). Robert thinks he’s got it
made, since Marion is a sexy little blonde, but it turns out she’s got attitude
to burn. She derisively laughs at his pickup lines, mocks his age, and shames
him into feeling guilty about wanting to use her.
Relenting from his seduction,
Robert is forced to engage with Marion as a person, and he soon falls under her
offbeat spell. Meantime, she sees glimmers of decency behind his sex-crazed
façade. Yet just when it seems like the story is about to head down the
interesting path of a soul mate shaking Robert free of his pretensions, the
characters become lovers and Robert begins entertaining notions of marriage.
Compounded by the presence of a disappointingly flat ending, this left turn
into domestic melodrama makes There’s a
Girl in My Soup feel quite ordinary. Worse, the jokes aren’t particularly memorable.
Sellers’ send-up of smoothies is amusing—his catchphrase, “My God, but you’re
lovely,” is cringe-worthy—and Hawn’s eroticized dizziness has its charms.
Somehow, though, their scenes never catch fire. There’s a Girl in My Soup gets points for presenting Marion as a
fully formed person instead of a brainless sex object, but beyond that, the
film’s virtues are few and modest.
There’s a Girl in My Soup: FUNKY
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