Quite possibly the worst
example of the speculative-fiction boom that paralleled mid-’70s fascination
with all things otherworldly, UFO: Target
Earth is a lifeless and nonsensical melodrama about a technician who
investigates weird transmissions and eventually connects with some sort of
alien presence that’s been hidden on Earth for hundreds of years. Since
absolutely nothing of interest happens for the first hour of the movie, the
only things about UFO: Target Earth
worth mentioning occur during the “climax,” so read no further if you want this
singularly underwhelming cinematic experience to remain unspoiled. In the wacky
final sequences of UFO: Target Earth,
our bland hero, Alan Grimes (played, zombie-like, by Nick Plakias), has a long
psychic conversation with an alien that manifests as some sort of low-tech
video waveform. The alien explains, in exhaustingly literal detail, that Alan
is one of only four human beings ever to sufficiently “transcend” humanity that
they can understand alien concepts. As a reward for his achievement of—well,
whatever the hell it is that he’s achieved—Alan is asked to sacrifice himself
and thereby give the alien (or aliens) the energy that he (or it or they) need
in order to return to his (or its or their) home planet (or galaxy or
whatever). It’s quite an accomplishment on the part of writer/producer/director
Michael A. DeGaetano to fill the final stretch of UFO: Target Earth with explanatory dialogue and still leave the
plot almost completely undecipherable. And it’s not as if the storyline is the
only problem, because the acting, cinematography, dialogue, sets, and special
effects are all substandard, as well. Incredibly, DeGaetano managed to raise
money for two more features after this one, which should have been a
career-killer.
UFO: Target Earth: SQUARE
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