Recalling the production of this obscure European
sex comedy in his memoirs, Bruce Dern admits “I didn’t really get what the movie was getting at until about
two-thirds of the way through.” In fact, most of the chapter Dern devotes to The Twist concerns meals, Parisian
weather, director Claude Chabrol’s preoccupation with complicated camera
movements, and a weird episode with Ann-Margret and her husband at a nightclub.
Watching The Twist, you’ll quickly
understand why the circumstances of the picture are more interesting than the
picture itself. A dull would-be farce about rotten people cheating on each
other, the movie concerns an American writer (Dern), his French wife (played by
Chabrol’s real-life spouse, Stéphane Audran), and their various extramarital
entanglements. Ann-Margret plays the writer’s mistress. The wife fantasizes about killing the
mistress, and the husband has a fever dream about all the women in his
life—including his hot stepdaughter—molesting him before the wife shows up to
cut off his manhood with a pair of scissors. (Not exactly Mr. Subtlety, Chabrol
juices this sequence with a closeup of a fake penis becoming engorged, lest the
audience somehow misread the wife’s intentions when she shows up with the
scissors.) The Twist is not wholly negligible,
because Dern plays his role with intensity (perhaps too much so); the
production values are slick; and there’s a lot of fodder for the male gaze,
with Sybil Danning as a flirty secretary and Sydne Rome as the stepdaughter.
Additionally, scenes depicting the marital dynamic between the main characters
exude believable hostility, with the husband coming across as a self-involved
prick while the wife comes across as a shrew desperate to be tamed. (Wait,
you’re surprised that a sex farce from a French director born in 1930 has
gender politics from the Stone Age?) Nonetheless, beyond those eager to see
everything Chabrol or Dern ever made, it’s hard to imagine many viewers finding
the stamina to endure all 107 minutes of The
Twist.
The
Twist: LAME
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