On its own
merits, the made-for-TV crime picture Ransom
for a Dead Man is an enjoyable if somewhat far-fetched story about a
murderess trapped by the complications of her attempt at committing the perfect
crime. The title refers to her main gimmick—killing her husband, then
pretending he was kidnapped and using doctored audio recordings to create the
illusion of his voice delivering ransom demands while police are present to
hear the phone call. Playing the murderess is the highly capable Lee Grant. She
conveys nefarious duplicity while her character acts the victim, and she unleashes
nastiness when her character pushes a stepdaughter out of the way so the
murderess can claim her dead husband’s fortune. Still, Ransom for a Dead Man emphasizes plot over characterization, and
the filmmakers never bother to humanize the murderess. So why bother talking
about this picture? Because the police officer who finally traps the murderess
is none other than Lieutenant Frank Columbo of the LAPD.
As played by Peter
Falk in dozens of TV movies spanning 1971 to 2003, Columbo is one of the most
popular crime-fighters in small-screen history, even though he never appeared
in a proper weekly series. The reasons for his popularity are plainly evident
throughout Ransom for a Dead Man, and,
in fact, Grant’s character explicitly describes the investigator’s unique methodology
in a monologue, detailing how Columbo disarms suspects by pretending to be
absent-minded, gullible, and simple, even though he’s remarkably clever,
observant, and shrewd. Ransom for a Dead
Man is such a thorough introduction to Columbo that even the character’s
famous rumpled raincoat makes its first appearance here. Yet in some ways, Ransom for a Dead Man isn’t the ideal template
for the many Columbo adventures that followed, seeing as how the lieutenant
employs a civilian to execute a dangerous and legally questionable sting
operation as the final trap for snaring the resourceful murderess. To find a
pristine example of Columbo’s sleuthing, it’s best to check out the character’s
next appearance and the first official episode of the recurring telefilm
series, Murder by the Book, which
broadcast later in 1971. The pedigree of that one explains why it’s so good:
Steven Bochco wrote the script and Steven Spielberg directed.
Getting back to Ransom for a Dead Man, you’ll note that
the phrase “pilot episode” has not yet been used. Like a Columbo mystery, this
gets tricky. Originally played by Bert Freed, Columbo first appeared in “Enough
Rope,” a 1960 episode of The Chevy
Mystery Show. The episode’s writers, Richard Levinson and William Link,
repurposed the character for their play Prescription:
Murder, which in turn became a 1968 TV movie with Falk as a less disheveled
version of Columbo. Therefore it wasn’t until Ransom for a Dead Man that the version of Columbo beloved by
generations of TV fans made his debut, raincoat and all.
Ransom for a Dead Man: FUNKY
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