Starring drive-in stalwart
William Smith, Piranha is a grungy
thriller produced in South America that bears no relation to the cult-fave 1978
Joe Dante flick of the same name. (In fact, not a single killer fish appears onscreen in
this movie, excepting the one featured in a stock shot running beneath the main
title.) The gist of the piece is that an adventurous American nature
photographer, Terry (Anha Capri), heads to Venezuela for work, accompanied by
her brother, womanizing party boy Art (Tom Simcox). They hire Jim (Peter Brown)
as a guide, but soon fall into the web of Caribe (Smith), a swaggering gringo
who promises to help the crew find interesting photographic subjects, like a
remote diamond mine. In its broadest strokes, the plot of Piranha is okay—Terry’s got baggage from childhood trauma, Jim’s
romantically interested in Terry, Caribe is an operator with a secret agenda,
and so on. Plus, since it turns out Caribe is actually a psycho trying to draw
Terry away from civilization so he can rape her and kill her companions, it’s
not as if the picture wants for dramatic content. The problem, or at least one
of them, is the directionless script and the padded running time. Piranha contains perhaps 30 minutes of
purposeful(ish) dramatic scenes, and the rest of the picture comprises endless
montages of jungle animals, primitive locals, and other National Geographic-type material. There’s even an interminable
motorcycle race. Compounded by the amateur nature of the acting—excepting Smith, who is as menacing as possible given the movie’s stupid dialogue—the narrative dead weight makes Piranha a long journey not worth taking.
Piranha:
SQUARE
