Showing posts with label raymond burr. Show all posts
Showing posts with label raymond burr. Show all posts

Thursday, September 26, 2013

Disaster on the Coastliner (1979)



          Despite its misleading title, the schlocky TV movie Disaster on the Coastliner is actually a hijacking thriller, not a disaster epic. Executed competently (albeit without much flair) by director Richard C. Sarafian, who usually made theatrical features, the picture has a solid kitsch factor thanks to the presence of hammy actors including Lloyd Bridges and William Shatner. Furthermore, the fast-moving story ticks off every cliché on the hijacking-flick checklist, so the picture sustains interest even though it lacks anything resembling originality. The premise is the usual contrived hokum. The day the vice president’s wife is scheduled to ride a train from LA to San Francisco, a disgruntled railroad employee mucks with the railroad’s computer-guidance system and threatens to crash the train carrying the vice president’s wife into a locomotive unless officials meet his demands. Overseeing the crisis at the railroad’s command station are noble dispatcher Roy (E.G. Marshall) and uptight Secret Service agent Al (Bridges); their unlikely ally is a con man named Stuart (Shatner), who is on board the train and helps try to prevent the crash. Naturally, all of this is spiked with romantic subplots—Stuart woos Paula (Yvette Mimieux), a housewife who’s ready to give up on her philandering husband—and corporate intrigue. You see, the hijacker has an axe to grind because railroad officials skimped on safety inspections in the past, resulting in tragedy, so newly installed railroad CEO Estes (Raymond Burr) has to pressure his people in order to determine whether the hijacker’s claims have validity.
          Even though most of Disaster on the Coastliner is padded with dialogue scenes, the picture pays off nicely with an elaborate action sequence involving helicopters chasing after a runaway train. The control-room scenes with Bridges and Marshall have a fun bickering vibe, with Bridges representing by-the-book rigidity and Marshall representing compassion, and it’s a hoot to see Bridges playing a non-comedic version of a character very much like the lunatic he played in Airplane! (1980). In fact, one of his motor-mouthed Disaster on the Coastliner speeches would have been right at home in Airplane!: “It’s all gone wacko, right? The whole flaky system. You can’t control the train!” With the exception of Shatner, none of the actors in Disaster on the Coastliner breaks a sweat, though each brings the requisite level of comfort-food familiarity. As for Shatner, he seems to have a grand time playing with disguises, courting Mimeux, and climbing atop the runaway train during the finale.

Disaster on the Coastliner: FUNKY

Tuesday, December 11, 2012

The Amazing World of Psychic Phenomena (1976)



          More entertaining “nonfiction” silliness from the folks at Sunn Classic Pictures, The Amazing World of Psychic Phenomena is a journalistically dubious survey of various mental powers that people have claimed to possess throughout history. You name it, it’s in here: astral projection, precognition, spirits, telekinesis, and so on. Actor Raymond Burr, summoning all of his Ironside-era gravitas, hosts and narrates the picture, which comprises archival footage, dramatic re-enactments, interview snippets, and cheesy vignettes of Burr “participating” in staged experiments. This is the Sunn Classics formula in full bloom, with a barrage of unsubstantiated facts and figures thrown at the audience alongside creepy dramatic scenes right out of a low-budget horror movie.
          For example, one early scene features a woman piloting a small plane until she receives a telepathic “distress call,” at which point she diverts her plane to a highway 70 miles distant and rescues her mother from a flaming car crash. Later in the movie, a woman and her young child freak out during the seeming visit of an apparition to their home—the duo watches, terrified, as their front door appears to undulate in tune with a mysterious breathing sound. Fantastic claims are presented without skepticism, as are guest stars including famed ’70s Israeli mentalist Uri Geller (who does his signature routine of bending spoons with his mind).
          It’s hard to differentiate the genuinely unsettling exhibitions from the outright nonsense, because everything is explored with the same degree of wide-eyed intensity. At its worst, the movie features laughably loose logic. “If we continue to exist after our physical bodies die,” Burr asks at one point, “is it possible to communicate from one world to the another? One way of communicating between these two worlds is with the help of a medium, at what is popularly known as a séance.” Notice the quick shift from speculating about alternate dimensions to treating them as documented reality. Or consider this howler of a voiceover line: “The best evidence for the existence of spirits is that presented by the owners of haunted houses.” Because, of course, haunted houses are indisputably real.
          Still, as with all of Sunn Classic Pictures’ wonderfully irresponsible documentaries, the goal of The Amazing World of Psychic Phenomena is simply to catalog creepy-crawly maybes on the fringes of the known world. So, by the time the movie barrels through things like Kirlian photographs and mentalists who “psychometrize” the identities of murderers by studying objects found at murder scenes, it’s easier to go with the entertaining flow than to worry about veracity.

The Amazing World of Psychic Phenomena: FUNKY