The Great Masquerade (1974)

           Drag comedies have a long history in Hollywood, so it’s not as if low-budget farce The Great Masquerade was daring for its time—even though it eschews the homophobia that plagues most vintage movies about men dressing as women. Instead of getting doomed to cinematic oblivion by controversy, The Great Masquerade likely failed to get attention because of cheap production values, inconsistent acting, and sloppy direction. The script’s quality is roughly equivalent to that of some random sketch on a ’70s variety show, so if the material had found its way to producers with better resources and a director with a stronger feel for comedy, the picture could have been an amiable trifle. As is, The Great Masquerade—also known as The AC/DC Caper and Murder on the Emerald Seas—is a gentle comedy buried inside an exploitation flick.

          The silly premise is that for three years running, contestants in a Florida beauty pageant have become victims of unsolved murders, so the police recruit a male officer to pose as a contestant in the latest event, set to happen on a cruise ship. The main suspects are the pageant’s lascivious promoter and a pair of stereotypical Italian gangsters. The setup is mostly just a springboard for gags, the majority of which are duds. Concurrently, the wrongheaded impulse to feature salacious content leads to vignettes that resemble softcore porn. In the most egregious sequence, a little person persuades a pretty blonde to model for body art, but when the model falls asleep while the little person is painting her breasts, he starts licking. That sends her screaming into a hallway while still naked, at which point she’s chased by a psycho dressed as a clown. This kind of stuff doesn’t sit comfortably with scenes of lighthearted banter between the main characters.

          Robert Perault’s work in the lead role helps make The Great Masquerade palatable. He’s amateurish, handsome, likeable, and he strives for a frothy tone. Meanwhile, supporting players including John DeSanti, Frank Logan, and Lee Sandman try for broad-comedy caricatures—they’re as clumsy as Perault, but they put in the effort. Regarding more familiar players, it’s novel to see Roberts Blossom play a verbose sophisticate instead of his usual creeps and crooks, but good luck figuring out why The Great Masquerade has cameos from Johnny Weissmuller and Henny Youngman. Behind the camera, the most noteworthy figure is director and cowriter Alan Ormsby, who wrote and directed the seedy horror flick Deranged (1974), which stars Blossom as an Ed Gein type; wrote My Bodyguard (1980); and cowrote Cat People (1982) and The Substitute (1996).
 
The Great Masquerade: FUNKY