Showing posts with label harry shearer. Show all posts
Showing posts with label harry shearer. Show all posts

Wednesday, September 11, 2013

Cracking Up (1977)



          The explosive success of Saturday Night Live opened the floodgates for comedy troupes whose material addressed hip themes, so presumably that’s why a second-rate outfit called the Ace Trucking Company got to make a feature-length anthology of gags loosely arranged around the premise of a massive earthquake devastating Southern California. (Because, of course, what’s funnier than a catastrophe that kills millions of people?) The running gag in this painfully unfunny movie involves news coverage of how people have responded to the disaster, so skits involve addled victims, loopy scientists, and opportunistic entrepreneurs, among others. Yet at least half the picture comprises scenes unrelated to the earthquake theme—it’s as if the Ace Trucking Company cleared out its warehouse of sketches, whether they suited the framework of the movie or not. Several comedians who’ve done better work elsewhere appear in Cracking Up, notably Edie McClurg, Harry Shearer, Fred Willard, and the duo of Michael McKean and David L. Lander—aka “Lenny and Squiggy” on TV’s Laverne & Shirley. (FYI, Lander, McKean, and Shearer were the late-’70s lineup of comedy troupe The Credibility Gap, so Cracking Up represents a convergence of two minor ensembles.)
          Since there’s no story to critique, all that’s needed to give a sense of Cracking Up are descriptions of a few gags. In one bit, Lander plays a moron delivering a PSA lamenting discrimination against Polish-Americans; riffing on Smokey the Bear’s famous line, he says, “Only you can prevent Polish people from catching on fire.” In another bit, a man standing at a urinal drops a dime into a slot marked “Build Your Ego,” and a window opens so McClurg (inexplicably dressed in a cowgirl outfit and flailing six-guns) can compliment the size of the man’s penis. “How’s that hammer hanging, baby?” Elsewhere, flamboyant funnyman Stephen Stucker (later to play a super-gay air traffic controller in 1980’s Airplane!), does a queeny credit-card ad for “GayAmericard.” And at one point, Shearer imitates Dan Akyroyd’s famous Saturday Night Live riff on’70s talk-show host Tom Snyder. Yawn. While Cracking Up has minor historical value as a showcase for emerging talents, the flick registers 0.0 on the comedic Richter scale.

Cracking Up: LAME

Saturday, May 21, 2011

Prime Time (1978)


The creators of this atrocious comedy strung together a group of lame sketches under the premise that some unknown anarchistic force hijacked the American airwaves in order to beam subversive content into the nation’s boob tubes. The level of humor here is indicated by an ad for a Candid Camera-type gotcha show called The Shitheads, in which unsuspecting participants have buckets of excrement dropped onto their noggins. If that doesn’t sufficiently warn you away from investigating Prime Time, consider the ad for “Stay Down,” an aerosol erection suppressant with the unfortunate side effect of uncontrollable flatulence. Every so often, the movie triggers a reaction with its audacity. The best-executed sketch is probably the celebrity sports show in which two hunters (one of whom is played by Warren Oates!) climb to the top of the tower on the University of Texas campus in Austin, then open fire for “The Charles Whitman Invitational,” named after the crazed sniper who killed 16 people from that tower in 1966. The filmmakers include a few brief interstitial bits of things like government officials trying to stop the pirate broadcast, but the movie rises and falls on the quality of the gags, and the gags are consistently juvenile, obvious, and unfunny, with homophobic and racist overtones thrown in for good measure. Even appearances by familiar faces—among them Joanna Cassidy, Fred Dryer, Kinky Friedman, Dick O’Neill, and Harry Shearer—aren’t enough to generate interest. The Groove Tube (1974), Kentucky Fried Movie (1977), and even the deranged Mr. Mike’s Mondo Video (1979) did this sort of thing so much better.

Prime Time: SQUARE