Showing posts with label susan hampshire. Show all posts
Showing posts with label susan hampshire. Show all posts

Sunday, May 29, 2016

Baffled! (1973)



          Following three years each as an ensemble player on Star Trek and Mission: Impossible, Leonard Nimoy apparently took just one stab at becoming the lead of his very own TV series, notwithstanding multiyear runs hosting the nonfiction shows In Search of . . . , Ancient Mysteries, and History’s Mysteries. (Don’t fix it if it ain’t broke!) Nimoy’s wannabe star vehicle, Baffled!, could just as easily have been titled Baffling!, seeing as how it’s confounding that anyone thought the concept could sustain an entire series. Even just watching the feature-length pilot episode, the only installment that was made, requires patience. Adding to the offbeat nature of the project is the sheer Englishness of Baffled!, which was photographed in the UK and coproduced by the British company ITC. Even the pilot’s costar, Susan Hampshire, is British. (One version of Baffled! was released theatrically in Europe, and a slightly different cut aired on American TV.)
          Yet the peculiarity of the project’s geographical origin pales next to the strangeness of the storyline: Nimoy plays a racecar driver who suddenly manifests psychic abilities, then teams with a paranormal specialist to solve supernatural crimes in Europe. Quite frankly, even Nimoy’s presence is odd, thanks to the actor’s aloof demeanor and lanky appearance—fascinating as he could be in the right role, Nimoy was not the matinee-idol type this sort of project requires. In any event, Baffled! opens during a race, when daring driver Tom Kovack (Nimoy) has a series of weird visions that cause him to ride off the road. For no good reason, he explains what happened on TV, attracting the attention of Michelle Brent (Hampshire). Tracking Tom down, she determines that his visions relate to a particular manor home in England, so away the two go for an adventure filled with danger and intrigue. The plot has something to do with a blowsy innkeeper (Rachel Roberts) tormenting an American movie star (Vera Miles), with the movie star’s teenaged daughter (Jewel Blanch) caught in the middle.
          Baffled! hits viewers with lots of hokey old-dark-house stuff, plus listless sequences of attempted violence; the bit of Nimoy falling off a cliff and safely landing in deep water is about as exciting as it gets. The acting is indifferent, the plotting is turgid, and the supernatural element—mostly comprising shots of Nimoy squinting while he has visions—adds little. Through it all, tinny music that could have been copped from  a trove of Avengers outtakes—as in Steed & Peel, not Captain America and Iron Man—honks and tweets on the soundtrack. Nearly the only rewarding aspect of watching Baffled! is listening to Nimoy croak lines in a ridiculous UK approximation of American slang. “I like you,” he says to Hampshire. “You’re warm, enthusiastic, and—why shouldn’t I use the word—you’re a great-lookin’ chick.”

Baffled!: FUNKY

Tuesday, July 24, 2012

Living Free (1972)


          The 1966 movie Born Free won a slew of awards (mainly for its music) and engendered widespread goodwill for telling the inspiring real-life story of George and Joy Adamson, two English naturalists who, while living in Eastern Africa, raised three orphan lion cubs from infancy to adulthood. By the end of Born Free, which was adapted from Joy Adamson’s book of the same name, the leading characters had sent two of the grown lions to safe havens in European zoos but set their favorite, Elsa, free—in the movie’s memorable second half, the Adamsons teach Elsa how to hunt so Elsa can build a new life with a mate. Eventually, the lioness has three cubs of her own.
          Born Free had a profound impact on actors Virginia McKenna and Bill Travers, who portrayed the Adamsons and became animal-preservation activists themselves. McKenna and Travers starred in the fiction feature An Elephant Called Slowly and the documentary The Lions Are Free, both released in 1969, but the actors did not return to their signature roles once Born Free got a proper sequel, Living Free, in 1972. Instead, Susan Hampshire plays Joy and Nigel Davenport plays George in this gentle story about the Adamsons becoming the de facto guardians of Elsa’s cubs after Elsa dies from an infection. (Adding to this picture’s convoluted lineage, Living Free was adapted from a later book in Joy Adamsons’ series, rather than her immediate literary follow-up to Born Free.)
          Realizing that domesticating big cats probably wasn’t a great idea the first time around, the Adamsons decide to capture Elsa’s cubs and deliver them to the Serengeti Animal Preserve, where they can, well, live free. Thus, most of Living Free comprises scenes of the Adamsons trying to keep the cubs out of trouble and safely cage them for transport. This is a bit more interesting than it sounds, thanks to terrific footage of real cats and impressive location photography. Additionally, Hampshire and Davenport do a fair job of showing the cracks in their characters’ stiff-upper-life personas; the anxiety and frustration of attempting something nearly impossible wears on them. The ending is never in much doubt, since this is heartwarming family fare, but persuasive visuals more or less carry the day.
          After the release of Living Free, the Adamsons’ adventures shifted to the small screen for a short-lived 1974 TV series (titled Born Free); later, Elsa resurfaced in the 1996 TV movie Born Free: A New Adventure, with fresh characters taking the place of the Adamsons.

Living Free: FUNKY